Showing posts with label sinead o'connor. Show all posts
Showing posts with label sinead o'connor. Show all posts

Tuesday, May 29, 2012

Nostalgia outfit

Over the past month or so, I've been suffering from an attack of acute nostalgia.  I don't know what brought it on.  Perhaps my mid-life crisis, which makes it hard to listen to songs from the 1990s?  Perhaps because the NYU students in my neighborhood (and yours) have been getting ready to graduate, and my heart goes out to them - their hopes, their futures, the unsteady job market that I hope does not thwart them. 

The 1990s were my prime, musically.  I was just out of college myself, and I had bought a Sinead O'Connor record and heard the rock, breathed it in, felt it come down over me like a veil.  I saw most of my heroes play live often - the Sineads, the Juliana Hatfields, the Jeff Buckleys, even the Morrisseys (what a strange phase that was).  Then I moved to San Francisco, and I discovered the used cd stores of the world, and was introduced to Barbara Manning and Lisa Germano, among others. 

Years passed, and my own catalog of songs grew.  I knew that one day I would record an album "just for fun," and that I would play songs with my imaginary band and take over the world.  Then, cold reality set in ... it's hard to make a record, and it's harder still to get people to come to see you play.  It's hard to imagine that you'll become a rock star when your songs consist mainly of homoerotic flourishes.  I put my rock star fantasies on hold.  By doing so, I became less and less interested in music (today I barely even listen to my headphones, and I don't even have a speaker for my computer at home).

But when I heard that That Dog was playing a show at the Music Hall of Williamsburg, I had to go.  I'd wanted to see That Dog perform for years.  They opened up for Weezer once in Los Angeles, and I flew in partly to see them, but Alia was pregnant then, and she stalled and stalled until finally I went to see them by myself, but just missed them.  Another time, in New York, they were opening up for the Amps and the Foo Fighters, but again Alia stalled and stalled and I missed them again.  Then they broke up.  I thought all was lost, and that I would never get my chance to hear those songs from "Retreat From the Sun" that I loved so much. 

Anyway, Zon and I went out to see them on Friday.  From the very first song, my heart sank, and I realized that they suck live.  The ladies were a little too cutesy for my taste, and Anna was using some jive open tuning for every song.  Still, I stayed to hear them play "Minneapolis," and it was awesome, even though Anna punted the solo.  I practically ran out of the Music Hall of Williamsburg after that. I was wearing a "nostalgic" outfit ... something I thought I might have worn in the 90s ... an "ironic" orange-red polo from Lacoste and a pair of grey Levi's, plus some Pumas (of course). 

I don't know when this current wave of nostalgia will end.  Usually, my method of keeping nostalgia at bay is to have sex with one different NYU student per year, just to prove that I've still got it.  I sort of did the same thing this month, though it was disastrous, life-altering sex that I wish I could take back for his sake.  But then, this show, and a different sort of temporary salvation.  For one magical night at the Music Hall of Williamsburg, a band named That Dog cured me of my regret and poignant, bittersweet sorry - just by making me realize that I missed nothing - nothing! - by not seeing them 15 years ago.

Saturday, December 17, 2011

Self-loathing with a little wink


I was poking about the internet the other day, and I came upon some old digests from the Juliana Hatfield mailing list. They were from August, and those were the most recent I had, since my Yahoo mailbox filled up shortly thereafter, and I guess I was automatically unsubscribed from the list. Apparently, Juliana had a new record out in August ... I can't believe I missed it. I'm such a superfan that I usually get records from my heroes on, like, the first day of release, so that I can in my own way join a club, the club of defeated fans of 90s lady rockers who still hold out hope that their favorite artists will crack the Billboard 100. Why wasn't I checking that mailbox? I assume it was because I was really busy.

I downloaded the record today (this is a limited release, and physical cds are sold out already) and was sort of blown away and really moved, much to my surprise. It's beautiful and it rocks, sort of like Rolling Stones-style grooves crossed with California pop, all sung by a little girl voice that blames you, that is in crisis, that purposefully diminishes the singer's accomplishments. It's self-loathing set to music. It's kind of chillingly perfect, actually. There hasn't been a Juliana record that surprised me since "God's Foot," which was never even released. I'd long since given up hope that she could teach me anything (even though my song "I get the craziest feeling" has the same number of syllables in places as her song "Feel it." That's my usual homage style ... I just rip off the rhythm of the song and change the melody and lyrics ... and then it's a whole new song! Sort of like the Donna "sew on some sequins and make it a whole new look!" Karan school of songwriting).

I love the cover. Juliana always gets naked for her record covers, I feel. But with no airbrushing. A nude photo of someone whose weight fluctuates as wildly as hers does can be somewhat shocking to behold. See? Self-loathing with a little wink. "Macabre" is probably a good word for Juliana's schtick.

I'm recording "I get the craziest feeling" soon, with my superband of Chris on drums and Matt on bass (if he's still speaking to me), along with three other songs. And then I'm either going to record some more or put out six songs as an e.p. I will call it "Joy," though it will contain no real succor. Since I'm recording again, I'm paying a little more attention to the music world these days. But no one moves me, sigh. I'm old, that's probably why! (That's a song!) My most enduring musical emotional attachments were formed before I was 20 years old, with notable exceptions. That's why I'm always waiting for a good Sinead O'Connor record again, or a good Liz Phair record. Both of them apparently have new music coming out soon. How will I feel if they both rock again? Maybe I will feel that I rock again, that I have been vindicated. (But ultimately for naught, as neither of them will ever sell a lot of records again, and no one will ever hear of my own self-release when I put it out). Perhaps I will be transported back in time to Jones Beach in '91, seeing Sinead O'Connor (my second concert ever ... the first was the "Blonde Ambition tour by Madonna) and secretly loving the tousled-haired waifish boys who clung to that kind of genre-defying music, though feeling like I was too fat to ever really be seen by them. I still feel too fat to do most anything, but I always will, so that's okay.

Needless to say, I will be fully clothed for my record cover. But maybe it will be a closeup of my big head crying, like that Sinead O'Connor record.